Macro
A lens that can focus very close, so a small subject can be recorded on the sensor at its real size (1:1, life-size). Ordinary lenses cannot focus that close, so you use a dedicated macro lens or attach a close-up lens (a diopter) in front. Textures you cannot see with the naked eye appear, and the range in focus is so thin that moving even slightly forward or back blurs it.
How it feels
- Fine detail
- Mystery
- Abstract
- Focus
- Strangeness
When to use it
- Filming very small subjects like flowers, insects or water drops
- Revealing a small detail of a product
- Showing a world invisible to the naked eye in a nature documentary
- Turning an ordinary object into a strange, abstract image
In the movies
Not to be confused with
- Extreme Close-up
- An extreme close-up is a shot size, how big the subject looks on screen. Macro is the lens that makes that possible for very small subjects.
- Insert Shot
- An insert shows an object the story needs, so the whole object stays recognizable. Macro goes much closer and fills the frame with a small part of the object and its texture.
- Split Diopter
- A split diopter attaches the same close-up lens over only half the frame, so one side focuses near and the other far.
Prompt
macro lens
Macro lens, 1:1 magnification on the tip of a carrot. The surface texture fills the frame, extremely shallow depth of field, everything else melts into soft blur.
Try these combinations
Macro + insect: the scales on a butterfly wing
Macro lens extreme close-up of butterfly wing, iridescent scales, sharp detail
Macro + nature: morning dew on a spiderweb
Macro shot of water droplets on spider web, morning dew, soft light