Static
A shot where the camera’s position, direction and field of view never change for the whole take. Only the people or objects in the frame move. With no camera intervention it feels calm and objective, and the viewer can give full attention to the performance and action on screen.
How it feels
- Stability
- Objectivity
- Observation
- Tension in stillness
- Calm
When to use it
- Focusing on an actor’s performance and dialogue
- A quiet space, like an empty subway platform
- Holding on a landscape or building for a long time
- A character entering and leaving the frame
In the movies
Not to be confused with
- Pan
- A pan turns in place to follow a moving character. A static shot stays put even when the character leaves the frame.
- Handheld
- Even a tiny shake reads as handheld. A static shot has no shake at all.
- Long Take
- A long take is about length, filming for a long time without cutting, and the camera may move.
Prompt
locked-off static shot
Locked-off static shot. The camera is fixed on a tripod with zero movement for the whole clip, the frame identical from first second to last, while only the subject moves within it.
Try these combinations
Static shot: an empty platform
Locked-off static shot of an empty subway platform, a train arrives and leaves, fluorescent light
Static shot + wide: a symmetrical composition
Static wide shot, symmetrical, a man walks into frame, sits on a bench and stays still, Wes Anderson style