Deep Focus
Filming so that things close to the camera and things far away are all sharp. It means a wide range that looks sharp (depth of field), and it gets easier the more you stop down the aperture (a larger f-number), use a wide lens and add light. The front and back of the frame carry equal weight, so viewers choose for themselves where to look.
How it feels
- Realism
- Sense of space
- Observation
- Tension
- Layered stories
When to use it
- Showing a character in front and an event far behind in one shot
- Showing action in the foreground and background at the same time, without cutting
- Keeping everything sharp in a wide landscape, from the flower in front to distant mountains
- Scenes where the space matters as much as the character
In the movies
Citizen Kane 1941
Cinematographer Gregg Toland wrote that he had to keep a person 60-90 cm from the lens and action 9-12 m behind sharp at the same time. He also describes a scene where a face under 40 cm from the camera, a trophy at arm’s length and men 3.7-5.5 m back are all sharp.
Touch of Evil 1958
Yale’s film analysis guide gives it as an example of deep focus.
Besieged 1998
Yale’s film analysis guide gives it as an example of deep focus.
Not to be confused with
- Deep Space
- Deep space is about placing people and objects deep, from right in front of the camera to far away; deep focus is about keeping all of it sharp. A deep arrangement with shallow focus is not deep focus.
- Split Diopter
- A split diopter also makes front and back look sharp together, but the middle is blurred and a dividing line appears in the frame.
- Shallow Depth of Field
- Shallow depth of field goes the other way: one plane sharp and the rest blurred.
Prompt
deep focus
Deep focus, wide-angle lens stopped down. The object in the foreground, the subject in the middle and the buildings far behind are all perfectly sharp.
Try these combinations
Deep focus + landscape: from the flower in front to distant mountains
Landscape scene with deep depth of field, showing sharp detail from the wildflowers in the immediate foreground to the distant mountains
Deep focus + low angle: two stories, front and back
Low-angle deep focus interior, a man close to the camera in the foreground, people arguing in the far doorway, everything in sharp focus